Farah Seyed Abolghasem
Audio of the Entire Interview
Interview Transcript
Part 01
I am the last child in the family
a crowded family
I lost my father too soon,
when I was six
My father had a big garden,
It was for agriculture purposes
and there was a building inside it
But the production was kinda a lot
and they were distributed around
Beside this, he had an office job
working as an accountant in a bureau
My fondness of nature
started right then
All the images in mind
about my childhood are in that garden
one of them is a day,
when my father and I were walking in the garden
It was spring and all of the peach trees
were blooming
Everywhere was full of pink blossoms
with strange nice caressing aroma
at the ending edge of the garden
a wall was collapsed
I told my dad,
“The wall has collapsed”
“Repair it, otherwise
the kids would eat our peaches”
and my dad said, “Let them come and eat,
They eat their share”
“They can’t eat more,
doesn’t matter…”
Anf there were only blossoms
and no fruits but I was worried about future…
There was another time…
As I said it’s. all. about those days
There’s another memory which
is kinda sad
But it’s about there again
My brothers used to hunt
sparrows with slingshot
I was a thin, feeble child
and a doctor or my mom or grandma
have said that sparrows are nourishing.
Make a pottage with. fresh vegetables
and put the sparrows in
to be a nourishing food
for me
My brothers went to hunt
sparrows with slingshot
Looks like I’ve insisted
to go with them
and crying to go with them
and mom said to tag me along
We went together
and they gave me a mission
not to talk or cry. and just follow them
Whenever we shot a sparrow,
You should hold your skirt and
carry them over your lifted skirt
It was a terrible day for me
I wish I hadn’t gone with them
Cause they would have shot the sparrows
and ran to them and behead them
and throw the head aside
and put their body on my skirt
I was crying and walking behind them
I asked them to stop and not shoot them,
while I was crying, but…
I thought they’d listen,
but they. didn’t…
Cause it was a game to them,
they were just a couple of boys
It was their age requirment
I got home with a skirt full
of dead sparrows, at last
Not knowing they are going to be
my own food
I don’t remember
What happened nect
Either the pottage was made or not and
I ate it or not but…
It’s stuck on my mind
Birds came to stay in my works
in the future
They may have come from that day,
i don’t know
I think when I became six,
my chilhood ended
Cause I lost my father then and
It was really hard for me
Cause I loved my father very much
The image I remember from the last year of my father,
is him being sick
My father had chronic bronchitis
and lost his lungs little by little
I remember once,
My mother, father and I…
went for a check up and
taking picture of his torso
Doctor’s office was at Sheikh Hadi street
There was a big tree in
the yard…
Which was wrapped with plastic
strips from top to down
I remember asking my mother
why the tree was wrapped
and had been enclosed,
It would suffocate
My mother said
It was a banana tree
and was wrapped because of the cold weather
and would be free after the cold season
It was really strange for my,
both the shape of this big tree being wrapped
and the banana too.
Both were unattainable
I wanted to come back. when
it’s fruits were ripe
and the doctor would give me
a banana
but years later,
when I grew up…
I understood, the banana tree
which was wrapped and was getting suffocated
and father who was not
able to breath in those days
made me feel the same feeling
How these two picture
were the same and had the same meaning
and are both stuck in my mind
One day after that,
when my father was really sick
He was at the hospital
I went to see him,
being six and first class in the school
I saw there was an oxygen tent
and my father was lying beneath it
Just like the tree,
and he couldn’t breath. anymore
Then I went to first year of school
One of my classmates said,
why I’m so sad?
She wanted me to. play with others,
ride a carousel
I said no,
my father is sick and in a hospital
She. said it’s ok.
He is. gonna be allright
I asked, reall?
Is he gonna be well?
Said her father had been sick
and became well too
Then I took het hand
and believed her
In the afternoon when
I got back home…
I felt that the mood in
the home has completely changed
Everyone was wearing black. and crying.
My aunt, mom and everyone else…
That day I understood that
life is a game of carousel
Other things. happen too
It feels like in that day
some one took my hand
and brought me to world of grown ups
From that day I learned to not let
my mom know that I understand
Whenever she started crying,
I made myself busy playing with toys
and I wouldn’t show that
I understand what had. happened
and for years I’ve played
this role
It was really hard for me
and now I understand it was a terrible thing to do
I carried a burden
which was too much for me
It was too much for my age,
I had to shoe normal reaction
I had to. cry, I had to say
whom I was missing
I was always running away
from this fact
I acted like I don’t understand,
or I don’t care and acted like a child
but deep inside
I really missed him
and I was really sad about
the fact that I can’t see my dad ever again
and it was a real sad feeling,
that I was a child without father
but other kids had fathers.
This was really hurtful but I wouldn’t say anything
And soon I confronted the consequences.
This much bottling up got the hold of me
Fortunately I discovered
two worlds since childhood
Which are with me still
Reading…
and writing
of course, later on,
writing got mixed with painting and the…
The writing has retreated
and painting overcame
The writing still exists
beside the painting but…
It’s fading
I wrote… as soon as I learned
how to read, started to write
I think I was in third grade
when. I wrote my first story
and painted the other page
It continued till I’ve
made a small library in my room
and I was lending my books
to neighbours kids
In the summer,
instead of a small subscription fee
and I made a handwritten form
The would’ve burrow the books,
read and return them by the end of each week
little by little I asked them to
add their own books
to estalish a booming library
My first paying job…
was this very lending the books
I would’ve buy more books
with the subscription fees
another. thing that made my mother angry
with me by doing so
and saying I’m ruining their
reputation, and was ashamed of
It was…
with the help of my brother
who was seven years older then me
we made kites and sold them
to kids in the summer
At that time, there were extracurricular activities in the schools
painting, wall newspaper, music, dance…
hymns and collective songs
I was both in painting and theatre group
and journalism. too
little by litte,
painting started to be…
more serious.
Before that it was just about…
geographic maps or…
science home works…
which were very easy for me
and always did good
They mostly came out
interesting and teacher thought I copied them
Which I’d prove them wrong
by doing them instantly
In the middle school it became more
Cause we had sciene and we should’ve
painted the plants, animals…
reptiles and birds which made
my science notebook very colorful
I used to pait them for my classmates too
Untill I painted my first oil painting
in the painting class of my middle school
Participated in some of painting
competitions pf schools
and kept writing stories, poems, …
with painting together…
moved in parallel lines
Part 02
It was me and my books
Little by little my paintings got bigger
I would’ve hang them from
the wall of my room
There was Nima
I had painted a lot of Nima’s portraits
that I could paint it by memory
I would’ve paint it for my friends
in the corner of their book pages
poems of Shamlou, Forough…
I would read Nima’s “Neighbour words”…
“Shabaneh” by Shamlou…
“Aroosak Kooki” by Forough…
Now that I think about it,
It was too son
These are very mature for that age
I might’ve not let my 14 years old
daughter to read them
I don’t know,
maybe I would’ve let her, but…
it’s the way we grew up
It was the way of high school
My brother was a university student
and introduced me lot of stuff
Like the novel of Jean Christophe
that I had in my room then
I didn’t read it then
but It was on my desk
I had a literature teacher
whom I’m still conected to
She always encouraged me,
reding my poems and writings…
She would’ve recommend some book often
Untill I got my diploma in 1978
Diploma in science
Then the university got closed
for five years
I think the war started then
I might not remember the dates
very well but…
I didn’t do anything important
The only thing that I remember is
sketching and reading
When I was in high school,
my friend’s sister was studying graphic design
and another sister studied painting
That was the first time I learned
you can study those in university
Untill then I wanted to study architecture
but when I learned about painting study
then I decided to be a painter
They’d always give us a form
in which to define what you wanna do in the future
I would’ve written, a painter
I went to a painting class for about six months
It was an atelier in Zartosht street
beside Mehr hospital
the master was Manouchehr Soufarzadeh
He died a few years ago
It was the kind of class that let you paint
postal cards or copy masterpieces
It wasn’t a professional or
academical class but a recreational one
At the first registry for entrance exams
I went to Enghelab street
I bought a lot of books that
others have recommended
or I gussed was suitable
I stayed behind the door
and read them for nine months
and there was a one month length
class for sketching in atelier design
and their teachers didn’t know
abything about entrance exams queations
They has some formula
like some capsules
which thought us little about sketching
They thought us to paint responsive
to some possible situations
and they were right
cause these kind of formula
was exactly what they asked in the exam
and we had practice
Everyone told me that I’m wasting my time
and I would fail at the selection
But I was sure that I’d pass
I entered the university at 1983
We passed some courses at Tehran university
and I have some other classmates…
at university of fine arts in which
we passed some other courses
like our printing class
art history with Master Pakbaz,
at Tehran university
and a couple of other courses
I was classmate with Mina Ghaziani
at fine arts university
also Arya Shokouhi Eghbal was my classmate
who is still with me in our atelier
He is my oldest friend,
It’s been over thirty years that we are friends
My clasasmates at Tehran university…
Masoumeh Mozaffari…
Soghra Zare…
Parastou Forouhar…
and Ali Zakeri…
Ali Rasouli…
Hamid Rahmati…
who are all artists now
and thety paint
My masters were Mr. Jalil Ziapour…
Mr. Javad Hamidi…
Mr. Ruyin Pakbaz…
Mr. Naser Arasteh…
I had printing with Mr. Rouhbakhsh…
Mr. Homayoun Salimi was with us for a period
Mr. Eskandari…
Mrs. Shahla Habibi…
Mrs. Mina Asadi…
A master at university that I forgot
to mention was Mr. Bahman Boroujeni
He really influenced me… very much
He had a fearless feeling
in using colors
which I used a lot
In fact working with him
scared away my fear of using colors
I had so much fun in the university
I mean I really liked
the university
It was a strange discovery for me
I was discovering everything
Like a child going to
a weird laboratory
like a magic lab,
mixing stuff together
boiling and steamin and. making
strange creatures
for example the photography lab
was just like that
when putting the negatives in the film developer chemicals
and fixation chemical
and then they’d be discovered
then put them under agrandissement
All the thing you’ve heard about
in the photography but now doing it yourself
These faces being developed
Everything for me…
was like Alice in wonderland
I didn’t know what oil paint is
i. didn’t know these colors
I had seen them before
in the movies or other places
in the shops there was a pallet
Pallet is painters signature.
They put colors on it
Then in the university,
Mr. Hamidi, I guess…
told us to put the colors in order
From dark to light or
vice versa, I don’t know
I didn’t know anything
I used to watch others,
specially Arya whose tripods was next to me
to see how he put the colors from
black to white
to find out which order he uses
It was humiliating to ask what should
use to mix colors
so I used to look around
and telling myself…
You’d be learning,
just keep looking
Little by little I learned that
a brush should be washed by oil or turpentine
dry it with handkerchief
Should mix color with oil
to dilute it
What. I did in the university was
what I had to do
I mean I was in the right place
Dealing with color, oila nd turpentine smell
with colored overalls,
oily clothes
stains…
It was all about art…
all of my classmates were made for it
I was very happy
Part 03
I painted with oil paint in the university
My last work there,
my jugement project
My last work there,
my jugement project
was also with oil paint
was also with oil paint
but with all the specifications that it has
wasn’t my kind of material
cause it’d dry very late
I’m a hasty person
and had to express what was inside me
spontaneously.
Oil paint dries very late
and needs a period of time
which I had to wait during this time
to come back and continue
wasn’t my faviourite material
cause…
when I’ve have gotten back,
I wouldn’t have the same feeling again
I haven’t worked with oil paint since then
I mean after finishing university project
which got conected to a series
that became an individual exhibition
which were done with acrylic color
Then little by little…
Some other materials got added to acrylic
Colored pencils…
Pastel plaster…
I worked on paper for a period of time
In fact I would’ve use different materials
on the back of Photographic paper
not on the sensitive layer
but on the back
Photographic paper has a lot of plastic
as a result it’s washable
and I used to wash different layer
with water
some colors would stay
and the others would be washed away
and this would produce a specific texture
make a foundation to work on
I’d use Gouache, colored pencil and acrylic
on it, so…
which ended up in one or two big exhibitions,
I don’t remember well
Anyway, a big work set and a small one
using photographic paper
Another tool was added to my work
which were metal pen and walnut ink
which could produce very delicate
designs
I used metal pen and ink to sketch on
the background of acrylic…
and occasionally colored pencil
and acrylic
or I have made by pastels
I’d make designs with this metal pen
These designs would start with a line…
to become an abstract object
These lines…
would’ve create a sense of borderline
in my work
which you’d see some example of
The artwork would become a patchwork
which would become into a bunch of big and
small squares and rectangles
spreaded on the surface of the artwork
with the designs made by
the metal pen
which. converted to metal laces
It’s the same thin lines
and same meshes
They were used to be made
by hand
the meshes are squares and rectangles
but by metal lace, it’s made by
putting the lace on the artwork
but they have the sam feel
a line made by walnut ink
and a line of this metal lace are the same
Every tool that entered my world
would have brought a work period with it
Some of these tools are
still. with me
and some are still on my desk
but I don’t use them on daily basis
but are always in front of me
and I might start using them
or not touch them for years
After the entering of metal pen
I was in Paris,
to pass a course
There I got familiar with plaster
Plaster is sculpture chulk
which is very clean
and has a soft texture
and polyester resin
These to were brought to my work from there
For a period…
I would’ve cover a part of canvas with plaster
and would’ve put something on it
like a piece of broken plate
or broken glasses
I would’ve mix plaster with glue
and it’d be fixed
Like a child who is learning to speak…
when learning a new word,
it would make a sentence with it
In fact whenever I learned a new word
I put the bead into the rosary thread
Therefor the works been transformed to…
acrylic with colored pencil and…
and with design of metal pen…
and now added with plaster, polyester resin
and glue
plus paper pieces
pieces of napkins, pieces of design on paper…
and pieces of stone, glass, wood and…
After this I worked with handmade paper for a long period
which again ended up as an exhibition
a big exhibition
Combination of handmade paper with things
I’d glued on them
actuallt didn’t glue them but
while making the paper, I’d put them in
and they’d became a part of paper
while the paper would’ve dried
Then I’d used threads instead of
lines painted by metal pen
and all of the elements that I used in my paintings
were now in the paper wet pulp
Beside the painting,
there has alwayes been other things
that I’ve been intimate with
and worked with
like making some tables
which I’d present beside the my paintings
or boxes I’d work on with paper pulp
I’d even made some birds with polyester resin
Very transparent birds like glass
with plastic bag and polyester resin
which were very fragile and all them
broke except one
cause if you put a pressure on them
they’d break down
I’d passed some courses of silver designing
and welding too
So I’d make little statues to be used as
necklace, earings or bracelet
I held several exhibitions of those
in Dubai, Paris and Iran
I can even say that It was the start of assembly which was
presented in the boxes exhibition
In fact assembling different things together
I used wastes in silver designing too
a piece of glass or wood
found in the beach
or a piece of broken plate that I had
a rose plate of chicken plate
transformed into necklace or earings
In fact the material wasn’t valuable
but they’d find value
Sometimes to escape sadness
I’d shelter to more sentimental, happier or more decorative colors
In a period of my work
in which my mind was very occupied
I’d obsessively design a texture with pen
for hours
like reapiting a sedative word…
I don’t know…
like burrowing inside yourself
like confabulating, chattering…
obsessively…
going into a loop
like when the sting is stuck
thats exactly whats happened
my sting was stuck
and for hours,
I used to sketch…
with a pencil on the vast space of canves
some texture that wern’t visible
to the eyes
It lead to hand aches, neck pain and eye sore,
but it was my only solution
Some said to find another solution
use a stencil, pattern or print
but none was a solution for me
I had to repeat it until …
How should i say?
To get rid of it…
The sting had to get out of the stuck
I always liked objects
I always organize them with an order…
They’d create a aesthetic rhythm for me,
I mean…
they were like a calligraphy
a calligraphy that I couldn’t
say or read them with words
I have a lot of these things
Not just from my own country,
but all other places that I went to
a stone, piece of wood…
it’s come with me
In a period…
I told you before, when I was making paper pulp…
I’d put them in paper pulp
and let it dry
It’d transformed into something else
I had used them on boxes and tables
They’ve always been with me
It’s not like that I just started using objects
in drawers (an exhibition)
even in my paintings…
I told you, they’ve never been a complete abstract
when I started working on drawers
maybe my conservative side collapses
and the pieces that were always small
and were just a part of a painting
had become an independant element now
i thinl it’s a kind of relationship with objects
it’s more than a habit of
taking things from wherever I go to
They are kind of attractive to me,
I see a kind of beauty in them
Part 04
Everything comes to me impulsively,
when I’m working
My energy is fluid,
It’d flowing
I may repeat again and again,
I might waste a lot of time
but it’s the process in which
the my passion boils in
In university, whenevr a master asked me
to sketch an initial design
I’d go numb and couldn’t
I didn’t know what a pre-sketch is?
and it didn’t have ant meaning for me
Whenever I’m working something happens.
Somthing sparks
I’d visualize some stuff
right there, around me
and without any limitations
I use them, I mean…
I take them and use it
to see if it’s good
I take my work and
wash it in the bath repeatedly
In the washing process
some parts stay
Theses remained parts
make a texture that’s usable, In fact…
I let the event to happen
It’s a dialogue between me and…
work when it’s being done.
The artwork guides me
It’s like it sends a frequency that…
this frequency is like a turn signal,
It guides me…
that you won’t be able to use me this way
You should change it
and it occupies me
It’s not like that I should think,
cause it doesn’t work that way
and it’s not possible to solve it
with thinking
looks like I should burrow more inside myself
and inside the issue
It’s what’s called the joy of painting
It’s not like when you paint you enjoy
yourself, no
It’s the war you fight with it
when you win,
when you finish it and the saticfaction that…
comes after knowing that
you succeeded in finishing it
that’s the joy of painting,
I mean fighting with…
the issue and getting out happily
that’s when it’s joyous,
otherwise when you are fighting
It’s a fight.
you should…
I put it aside if I think it’s taking
too long
Then the solution comes to you
when you give it some space
and put a distance in between
then the solutions come to you
little by litte
like an intuition
it’s like finding the clue to
open a woolen mass
because this idea has
a workflow
It goes forward and
I go with it
then it’s branches grow
and the branches add to the work
therefor I can’t go from one work
to the other and jump
these are like chain rings
like the letters of a word
the words come one after another
to make a sentence that has a meaning
but when a work brings many problems
and won’t be solved, I put it aside
in a level that’s not finished,
I know I’m lying to myself and it’s not finished
I’m not satisfied with it
but…
I put it aside cause it takes too much energy
It makes me feel bad,
it gets on my nerve
Sometimes I wonder i did what I’ve done
Is it my work?
What state was I in?
what was I thinking?
or what did I use?
which things did I combine together?
Some times i forget
It’s such an impulse
that sometimes I forget
In many occasions I can’t repeat a work,
can’t create a texture again
If you want to conyinue,
you can go on for ever on a work
I mean again and again
you can clean, take and put stuff on it
but in a time you
should hit the brakes
feelings.
Can’t say it’s feeling either…
I understand somehow
that it’s done
Everything that I knew had happened
It’s possible that. you or another person
looks at it and thinks it’s unfinished
but it’s the person’s feeling
not mine
When you look at my works
since many years ago
there has always been some objects in them
and there has always been. a combination
of naterials in them too
The chicken fences has gave
volume to the works
and to be used as a cover on the painting
it create two layers for the viewer
in fact the thing that has been created
as an artwork and painting
it has some rules appliued to it,
some aesthetic rules
many textures inside it
my energy, my thought,
my soul
whatever that’s been interesting
to me is now behind the fence
you won’t be able to see it clearly anymore
and as the fence has a distance to painting
it’s shadow falls on the painting
you both lost the clarity,
there’s a scratch
and it’s put behind a layer
you are forced to see everything through it
you won’t be able to touch the painting
you won’t be able to connect to it immediately
and the fence is put in the first layer
between you and the painting
I think because the painting is
a good thing itself, as a result…
any painting is a good painting
you shouldn’t say “bad painting”
because painting itself is a good act
as a result the outcome is good as well
but we can say if it’s been successful
to interpret what’s inside to outside
if it has succeeded,
then you can use the words, good, successful or complete
otherwise you can’t call it a bad painting again
It like the frame that I hold
and see the world through it
is a bit small, large or
even I don’t understand it
otherwise I can’t say it’s a bad work,
I can say that it doesn’t communicate with me
I started cooperating with Gardoon magazine
from 1990
Then with Abbas Maroufi,
to whom I was introduced by Mr. Sepanlou
he launched the magazine
and was looking for someone to write in visual arts part
They printed a few of my poems too
I was working with Adineh
and Donyaye Sokhan occasionally
After Gardoun,
I worked with Zanan magazine
Mrs. Shahla Sherkat invited
me for cooperation
but I never went to the office
and just sent the written papers
While working there, Mr. Ali Dehbashi
contacted me to work in Tavous magazine
I started my work with Mrs. Manizhe Mir Emadi
I think working in Tavous
was the climax of my press work
I was a great experience,
I made many good contacts
We worked on a vast collection
with Tavous
which was about youth art
visual arts section was done with me
painting, graphic, sculpture and new art
there was cinema, theatre and photography
that was done by other colleagues
Unfortunately Tavous couldn’t continue working
but all of these are archived
and still exists
They might be printed later
but they are typeset, translated and ready
After Tavous that I said provided
many connection for me
One of the good connections that I made
was with Mr. Kamran Diba
with whom we worked on
his book and his works in Paris
its oucome a great article
that is printed in the book, “A Garden Between Two Streets”
Occasionally I have cooperated with
Tandis, just an interview or an articla
but not officially…
It’s like that after Tavous magazine,
for me…
It’s not finished but…
I think it was the peak of my work
Part 05
Whenever a scientific achievement
presented, painting has used it
Just like what happened
with photography
When photography was introduced
to the world of art in 18th century
painting didn’t stop
and continued its own way
of course that achievement was used later
Now is the same too,
with computers and digital photography
each does its own job
Neither do they bother each other
but they can help each other
to be more strong
Artists can use whatever media
that they want
I saw a picture of an artwork
in Venice biennale this year
which I think was from Russia
an old rotten boat that doesn’t work
anymore was in the salon
and a lot of red threads were hanging from
the ceiling and at the end of each was a rusty key
this work really impressed me
specially the size of the work
compared to people
It was really impressive,
big installment against small people
a large volume of red threads and keys
i think the way of expression of this work
is very different than painting
like you can never compare
music to painting
even an abstract piece of music
can’t be compared to an abstract painting
the way they enter into human mind
is different
They use different channels
and they have different impressions
I can connect with conceptual art
with installation
but some people don’t
I don’t see myself as
a one dimensional artist
I’m a multi dimensional artist,
not just a painter
I create.
The most important thing for an artist…
that enters this field is to have…
Imagination.
To be able to imagine and to find…
signs and metaphors to express
the imaginations in the best way possible
and induces the concept
In conceptual art we have a three
or sometimes four dimensional space
We can use music, sound, light
we can use any media
The way the artist thinks
should be multi. dimensional
otherwise with efforts
they can achieve just a little
by studying, taking courses and watching
but the multi dimentional thinking
should exist in their mind
to be able to imagine the space
and to be able to induce their
thought and message with that space
Some people can do this
and others can’t
I don’t know the formula
I think there has to be something
inside that paerson
to be able to execute
a multi dimensional art
My work’s been serious for me,
I’ve loved it
I had no money
but didn’t do anything else
I did my job
I was secluded but
didn’t do anything else
I was sad but
didn’t do anything else
I was happy but
didn’t do anything else
No that I couldn’t,
I’ve had many abilities and still have
but I chose my work
This is success
I think comparing us with
the west world is not right
We should compare our conditions
to ourselves
because a lot of our things
are completely different than theirs
Therefor this comparison is wrong
but…
Comparing ourselves with ourselves…
to see where we stand
Cause I beleive that the history
is circular
life is circular,
It’s a circle
We are still experiencing what…
we had experienced in Kandriz hall before
meaning we are still in the transition period
There has been a pause in between
for a few years
we had a blackout
as a resault we’d inevitably have a roll back
to reach some points that
has been forsaken before
start from there again
Not to start the sanctuary again,
what I mean is…
there’s been a drop that should be recovered first
The movements that’s been put to motion
are going with high speed
and are increasing in number
These are efforts to compensate
for the lost years and to be able to…
and to reach where we are
supposed to be
If I’m participating in
group exhibitions
It’s because I see myself
with others
In some way I see my place
beside them
to see where my place is.
In individual exhibitions I can evaluate
myself from outside
I have arranged the outcome of
a certain period and evaluate them
The most important thing that
happens in an individual exhibition is…
the feedback that I get from
others
from viewers
a spectrum of people with
different opinions and comments
When there’s a mutual feeling it means
that the dialogue has taken place
I’ve been understood
It’s pleasant for me
When I’m not understood
obviously is not pleasant for me
but I don’t stop it
anyway some can connect and others can’t
I don’t really like criticism
I mean, I take a stand against it at first
maybe later when I think about it,
I consider it as a good point but…
what happens at that moment is…
that I show my claws very soon
to defend myself
No…
It’s my scope of authority and
you can’t enter
otherwise I’d show you my claws
but maybe later I see their good point
They say that people’s name…
are not meaningless
Every chosen name…
would leave it’s my in a way
on that person
and how good it’d be if
the named is connected to the person in some way
My name is Farah,
It means happiness
I should have a sign
related to this name at least
I totally prefer to be happy
I totally like to live my
life happily
I. don’t welcome sadness at all
Sometimes a person could be sad
and the sadness feels warm
and brings a pleasure with it
but to want to…
deliberately make it a part of myselt,
never
I don’t welcome it
but if it happens,
it’s happened, I’d stay with it till it passes
A thing that bothers me a lot…
to be truthful…
people outside bother me a lot
to see how bad their relations are
how low we came
I don’t want to call
it our culture
To live with each other with…
no kindness, with hate and anger
make each other no favor
not tolerating each other
There’s an impoliteness in
our social relationships
from a taxi driver to
a doctor that visits us
They hold no value…
for each other
It’s a pervasive stress
You know, for example…
There’s no way a driver lets
a pedestrian to pass
A driver won’t let
another driver to turn
A shop seller won’t wait
for you to get out your money
It really bothers me,
Some times I feel lost
Some days I feel lost
in my own city
I feel like a stranger
but It passes