Farah Seyed Abolghasem

Audio of the Entire Interview

Interview Transcript

Part 01


I am the last child in the family

a crowded family

I lost my father too soon,
when I was six

My father had a big garden,
It was for agriculture purposes

and there was a building inside it

But the production was kinda a lot
and they were distributed around

Beside this, he had an office job

working as an accountant in a bureau

My fondness of nature
started right then

All the images in mind
about my childhood are in that garden

one of them is a day,
when my father and I were walking in the garden

It was spring and all of the peach trees
were blooming

Everywhere was full of pink blossoms

with strange nice caressing aroma

at the ending edge of the garden
a wall was collapsed

I told my dad,
“The wall has collapsed”

“Repair it, otherwise
the kids would eat our peaches”

and my dad said, “Let them come and eat,
They eat their share”

“They can’t eat more,
doesn’t matter…”

Anf there were only blossoms
and no fruits but I was worried about future…

There was another time…
As I said it’s. all. about those days

There’s another memory which
is kinda sad

But it’s about there again

My brothers used to hunt
sparrows with slingshot

I was a thin, feeble child

and a doctor or my mom or grandma
have said that sparrows are nourishing.

Make a pottage with. fresh vegetables
and put the sparrows in

to be a nourishing food
for me

My brothers went to hunt
sparrows with slingshot

Looks like I’ve insisted
to go with them

and crying to go with them
and mom said to tag me along

We went together

and they gave me a mission
not to talk or cry. and just follow them

Whenever we shot a sparrow,

You should hold your skirt and
carry them over your lifted skirt

It was a terrible day for me

I wish I hadn’t gone with them

Cause they would have shot the sparrows

and ran to them and behead them
and throw the head aside

and put their body on my skirt

I was crying and walking behind them

I asked them to stop and not shoot them,
while I was crying, but…

I thought they’d listen,
but they. didn’t…

Cause it was a game to them,
they were just a couple of boys

It was their age requirment

I got home with a skirt full
of dead sparrows, at last

Not knowing they are going to be
my own food

I don’t remember

What happened nect

Either the pottage was made or not and
I ate it or not but…

It’s stuck on my mind

Birds came to stay in my works
in the future

They may have come from that day,
i don’t know

I think when I became six,
my chilhood ended

Cause I lost my father then and
It was really hard for me

Cause I loved my father very much

The image I remember from the last year of my father,
is him being sick

My father had chronic bronchitis
and lost his lungs little by little

I remember once,
My mother, father and I…

went for a check up and
taking picture of his torso

Doctor’s office was at Sheikh Hadi street

There was a big tree in
the yard…

Which was wrapped with plastic
strips from top to down

I remember asking my mother
why the tree was wrapped

and had been enclosed,
It would suffocate

My mother said
It was a banana tree

and was wrapped because of the cold weather
and would be free after the cold season

It was really strange for my,
both the shape of this big tree being wrapped

and the banana too.
Both were unattainable

I wanted to come back. when
it’s fruits were ripe

and the doctor would give me
a banana

but years later,
when I grew up…

I understood, the banana tree
which was wrapped and was getting suffocated

and father who was not
able to breath in those days

made me feel the same feeling

How these two picture
were the same and had the same meaning

and are both stuck in my mind

One day after that,
when my father was really sick

He was at the hospital

I went to see him,
being six and first class in the school

I saw there was an oxygen tent
and my father was lying beneath it

Just like the tree,
and he couldn’t breath. anymore

Then I went to first year of school

One of my classmates said,
why I’m so sad?

She wanted me to. play with others,
ride a carousel

I said no,
my father is sick and in a hospital

She. said it’s ok.
He is. gonna be allright

I asked, reall?
Is he gonna be well?

Said her father had been sick
and became well too

Then I took het hand
and believed her

In the afternoon when
I got back home…

I felt that the mood in
the home has completely changed

Everyone was wearing black. and crying.
My aunt, mom and everyone else…

That day I understood that
life is a game of carousel

Other things. happen too

It feels like in that day
some one took my hand

and brought me to world of grown ups

From that day I learned to not let
my mom know that I understand

Whenever she started crying,
I made myself busy playing with toys

and I wouldn’t show that
I understand what had. happened

and for years I’ve played
this role

It was really hard for me
and now I understand it was a terrible thing to do

I carried a burden
which was too much for me

It was too much for my age,
I had to shoe normal reaction

I had to. cry, I had to say
whom I was missing

I was always running away
from this fact

I acted like I don’t understand,
or I don’t care and acted like a child

but deep inside
I really missed him

and I was really sad about
the fact that I can’t see my dad ever again

and it was a real sad feeling,
that I was a child without father

but other kids had fathers.
This was really hurtful but I wouldn’t say anything

And soon I confronted the consequences.
This much bottling up got the hold of me

Fortunately I discovered
two worlds since childhood

Which are with me still

Reading…
and writing

of course, later on,
writing got mixed with painting and the…

The writing has retreated
and painting overcame

The writing still exists
beside the painting but…

It’s fading

I wrote… as soon as I learned
how to read, started to write

I think I was in third grade
when. I wrote my first story

and painted the other page

It continued till I’ve
made a small library in my room

and I was lending my books
to neighbours kids

In the summer,
instead of a small subscription fee

and I made a handwritten form

The would’ve burrow the books,
read and return them by the end of each week

little by little I asked them to
add their own books

to estalish a booming library

My first paying job…

was this very lending the books

I would’ve buy more books
with the subscription fees

another. thing that made my mother angry
with me by doing so

and saying I’m ruining their
reputation, and was ashamed of

It was…

with the help of my brother

who was seven years older then me

we made kites and sold them
to kids in the summer

At that time, there were extracurricular activities in the schools

painting, wall newspaper, music, dance…

hymns and collective songs

I was both in painting and theatre group
and journalism. too

little by litte,
painting started to be…

more serious.
Before that it was just about…

geographic maps or…

science home works…

which were very easy for me
and always did good

They mostly came out
interesting and teacher thought I copied them

Which I’d prove them wrong
by doing them instantly

In the middle school it became more

Cause we had sciene and we should’ve
painted the plants, animals…

reptiles and birds which made
my science notebook very colorful

I used to pait them for my classmates too

Untill I painted my first oil painting
in the painting class of my middle school

Participated in some of painting
competitions pf schools

and kept writing stories, poems, …

with painting together…

moved in parallel lines

Part 02


It was me and my books

Little by little my paintings got bigger

I would’ve hang them from
the wall of my room

There was Nima

I had painted a lot of Nima’s portraits
that I could paint it by memory

I would’ve paint it for my friends
in the corner of their book pages

poems of Shamlou, Forough…

I would read Nima’s “Neighbour words”…

“Shabaneh” by Shamlou…

“Aroosak Kooki” by Forough…

Now that I think about it,
It was too son

These are very mature for that age

I might’ve not let my 14 years old
daughter to read them

I don’t know,
maybe I would’ve let her, but…

it’s the way we grew up

It was the way of high school

My brother was a university student
and introduced me lot of stuff

Like the novel of Jean Christophe
that I had in my room then

I didn’t read it then
but It was on my desk

I had a literature teacher
whom I’m still conected to

She always encouraged me,
reding my poems and writings…

She would’ve recommend some book often

Untill I got my diploma in 1978

Diploma in science

Then the university got closed
for five years

I think the war started then

I might not remember the dates
very well but…

I didn’t do anything important

The only thing that I remember is
sketching and reading

When I was in high school,
my friend’s sister was studying graphic design

and another sister studied painting

That was the first time I learned
you can study those in university

Untill then I wanted to study architecture

but when I learned about painting study

then I decided to be a painter

They’d always give us a form
in which to define what you wanna do in the future

I would’ve written, a painter

I went to a painting class for about six months

It was an atelier in Zartosht street

beside Mehr hospital

the master was Manouchehr Soufarzadeh

He died a few years ago

It was the kind of class that let you paint
postal cards or copy masterpieces

It wasn’t a professional or
academical class but a recreational one

At the first registry for entrance exams

I went to Enghelab street

I bought a lot of books that

others have recommended

or I gussed was suitable

I stayed behind the door
and read them for nine months

and there was a one month length
class for sketching in atelier design

and their teachers didn’t know
abything about entrance exams queations

They has some formula

like some capsules

which thought us little about sketching

They thought us to paint responsive
to some possible situations

and they were right
cause these kind of formula

was exactly what they asked in the exam

and we had practice

Everyone told me that I’m wasting my time
and I would fail at the selection

But I was sure that I’d pass

I entered the university at 1983

We passed some courses at Tehran university
and I have some other classmates…

at university of fine arts in which
we passed some other courses

like our printing class

art history with Master Pakbaz,
at Tehran university

and a couple of other courses

I was classmate with Mina Ghaziani
at fine arts university

also Arya Shokouhi Eghbal was my classmate
who is still with me in our atelier

He is my oldest friend,
It’s been over thirty years that we are friends

My clasasmates at Tehran university…

Masoumeh Mozaffari…

Soghra Zare…

Parastou Forouhar…

and Ali Zakeri…

Ali Rasouli…

Hamid Rahmati…

who are all artists now
and thety paint

My masters were Mr. Jalil Ziapour…

Mr. Javad Hamidi…
Mr. Ruyin Pakbaz…

Mr. Naser Arasteh…

I had printing with Mr. Rouhbakhsh…

Mr. Homayoun Salimi was with us for a period

Mr. Eskandari…

Mrs. Shahla Habibi…

Mrs. Mina Asadi…

A master at university that I forgot
to mention was Mr. Bahman Boroujeni

He really influenced me… very much

He had a fearless feeling
in using colors

which I used a lot

In fact working with him
scared away my fear of using colors

I had so much fun in the university

I mean I really liked
the university

It was a strange discovery for me

I was discovering everything

Like a child going to
a weird laboratory

like a magic lab,
mixing stuff together

boiling and steamin and. making
strange creatures

for example the photography lab
was just like that

when putting the negatives in the film developer chemicals

and fixation chemical
and then they’d be discovered

then put them under agrandissement

All the thing you’ve heard about
in the photography but now doing it yourself

These faces being developed

Everything for me…
was like Alice in wonderland

I didn’t know what oil paint is

i. didn’t know these colors

I had seen them before
in the movies or other places

in the shops there was a pallet

Pallet is painters signature.
They put colors on it

Then in the university,
Mr. Hamidi, I guess…

told us to put the colors in order

From dark to light or
vice versa, I don’t know

I didn’t know anything

I used to watch others,
specially Arya whose tripods was next to me

to see how he put the colors from
black to white

to find out which order he uses

It was humiliating to ask what should
use to mix colors

so I used to look around
and telling myself…

You’d be learning,
just keep looking

Little by little I learned that
a brush should be washed by oil or turpentine

dry it with handkerchief

Should mix color with oil
to dilute it

What. I did in the university was
what I had to do

I mean I was in the right place

Dealing with color, oila nd turpentine smell

with colored overalls,
oily clothes

stains…

It was all about art…

all of my classmates were made for it

I was very happy

Part 03


I painted with oil paint in the university

My last work there,
my jugement project

My last work there,
my jugement project
was also with oil paint

was also with oil paint

but with all the specifications that it has

wasn’t my kind of material
cause it’d dry very late

I’m a hasty person

and had to express what was inside me
spontaneously.

Oil paint dries very late
and needs a period of time

which I had to wait during this time
to come back and continue

wasn’t my faviourite material
cause…

when I’ve have gotten back,
I wouldn’t have the same feeling again

I haven’t worked with oil paint since then

I mean after finishing university project

which got conected to a series
that became an individual exhibition

which were done with acrylic color

Then little by little…

Some other materials got added to acrylic

Colored pencils…

Pastel plaster…

I worked on paper for a period of time

In fact I would’ve use different materials
on the back of Photographic paper

not on the sensitive layer

but on the back

Photographic paper has a lot of plastic
as a result it’s washable

and I used to wash different layer
with water

some colors would stay
and the others would be washed away

and this would produce a specific texture

make a foundation to work on

I’d use Gouache, colored pencil and acrylic
on it, so…

which ended up in one or two big exhibitions,
I don’t remember well

Anyway, a big work set and a small one

using photographic paper

Another tool was added to my work

which were metal pen and walnut ink

which could produce very delicate
designs

I used metal pen and ink to sketch on
the background of acrylic…

and occasionally colored pencil
and acrylic

or I have made by pastels

I’d make designs with this metal pen

These designs would start with a line…

to become an abstract object

These lines…

would’ve create a sense of borderline
in my work

which you’d see some example of

The artwork would become a patchwork

which would become into a bunch of big and
small squares and rectangles

spreaded on the surface of the artwork

with the designs made by
the metal pen

which. converted to metal laces

It’s the same thin lines
and same meshes

They were used to be made
by hand

the meshes are squares and rectangles

but by metal lace, it’s made by
putting the lace on the artwork

but they have the sam feel

a line made by walnut ink

and a line of this metal lace are the same

Every tool that entered my world

would have brought a work period with it

Some of these tools are
still. with me

and some are still on my desk

but I don’t use them on daily basis

but are always in front of me
and I might start using them

or not touch them for years

After the entering of metal pen

I was in Paris,
to pass a course

There I got familiar with plaster

Plaster is sculpture chulk
which is very clean

and has a soft texture

and polyester resin

These to were brought to my work from there

For a period…

I would’ve cover a part of canvas with plaster

and would’ve put something on it
like a piece of broken plate

or broken glasses

I would’ve mix plaster with glue
and it’d be fixed

Like a child who is learning to speak…

when learning a new word,
it would make a sentence with it

In fact whenever I learned a new word
I put the bead into the rosary thread

Therefor the works been transformed to…

acrylic with colored pencil and…

and with design of metal pen…

and now added with plaster, polyester resin
and glue

plus paper pieces

pieces of napkins, pieces of design on paper…

and pieces of stone, glass, wood and…

After this I worked with handmade paper for a long period

which again ended up as an exhibition

a big exhibition

Combination of handmade paper with things
I’d glued on them

actuallt didn’t glue them but
while making the paper, I’d put them in

and they’d became a part of paper
while the paper would’ve dried

Then I’d used threads instead of
lines painted by metal pen

and all of the elements that I used in my paintings
were now in the paper wet pulp

Beside the painting,
there has alwayes been other things

that I’ve been intimate with
and worked with

like making some tables

which I’d present beside the my paintings

or boxes I’d work on with paper pulp

I’d even made some birds with polyester resin

Very transparent birds like glass

with plastic bag and polyester resin

which were very fragile and all them
broke except one

cause if you put a pressure on them
they’d break down

I’d passed some courses of silver designing
and welding too

So I’d make little statues to be used as
necklace, earings or bracelet

I held several exhibitions of those
in Dubai, Paris and Iran

I can even say that It was the start of assembly which was
presented in the boxes exhibition

In fact assembling different things together

I used wastes in silver designing too

a piece of glass or wood
found in the beach

or a piece of broken plate that I had

a rose plate of chicken plate

transformed into necklace or earings

In fact the material wasn’t valuable

but they’d find value

Sometimes to escape sadness

I’d shelter to more sentimental, happier or more decorative colors

In a period of my work
in which my mind was very occupied

I’d obsessively design a texture with pen
for hours

like reapiting a sedative word…

I don’t know…

like burrowing inside yourself

like confabulating, chattering…

obsessively…
going into a loop

like when the sting is stuck

thats exactly whats happened
my sting was stuck

and for hours,
I used to sketch…

with a pencil on the vast space of canves

some texture that wern’t visible
to the eyes

It lead to hand aches, neck pain and eye sore,
but it was my only solution

Some said to find another solution

use a stencil, pattern or print

but none was a solution for me

I had to repeat it until …

How should i say?
To get rid of it…

The sting had to get out of the stuck

I always liked objects

I always organize them with an order…

They’d create a aesthetic rhythm for me,
I mean…

they were like a calligraphy

a calligraphy that I couldn’t
say or read them with words

I have a lot of these things

Not just from my own country,
but all other places that I went to

a stone, piece of wood…
it’s come with me

In a period…
I told you before, when I was making paper pulp…

I’d put them in paper pulp
and let it dry

It’d transformed into something else

I had used them on boxes and tables

They’ve always been with me

It’s not like that I just started using objects
in drawers (an exhibition)

even in my paintings…
I told you, they’ve never been a complete abstract

when I started working on drawers

maybe my conservative side collapses

and the pieces that were always small

and were just a part of a painting

had become an independant element now

i thinl it’s a kind of relationship with objects

it’s more than a habit of
taking things from wherever I go to

They are kind of attractive to me,
I see a kind of beauty in them

Part 04


Everything comes to me impulsively,
when I’m working

My energy is fluid,
It’d flowing

I may repeat again and again,
I might waste a lot of time

but it’s the process in which
the my passion boils in

In university, whenevr a master asked me
to sketch an initial design

I’d go numb and couldn’t

I didn’t know what a pre-sketch is?

and it didn’t have ant meaning for me

Whenever I’m working something happens.

Somthing sparks

I’d visualize some stuff

right there, around me

and without any limitations
I use them, I mean…

I take them and use it
to see if it’s good

I take my work and
wash it in the bath repeatedly

In the washing process
some parts stay

Theses remained parts
make a texture that’s usable, In fact…

I let the event to happen

It’s a dialogue between me and…

work when it’s being done.
The artwork guides me

It’s like it sends a frequency that…

this frequency is like a turn signal,
It guides me…

that you won’t be able to use me this way

You should change it

and it occupies me

It’s not like that I should think,
cause it doesn’t work that way

and it’s not possible to solve it
with thinking

looks like I should burrow more inside myself
and inside the issue

It’s what’s called the joy of painting

It’s not like when you paint you enjoy
yourself, no

It’s the war you fight with it

when you win,
when you finish it and the saticfaction that…

comes after knowing that
you succeeded in finishing it

that’s the joy of painting,
I mean fighting with…

the issue and getting out happily

that’s when it’s joyous,
otherwise when you are fighting

It’s a fight.
you should…

I put it aside if I think it’s taking
too long

Then the solution comes to you

when you give it some space
and put a distance in between

then the solutions come to you
little by litte

like an intuition

it’s like finding the clue to
open a woolen mass

because this idea has
a workflow

It goes forward and
I go with it

then it’s branches grow

and the branches add to the work

therefor I can’t go from one work
to the other and jump

these are like chain rings

like the letters of a word

the words come one after another
to make a sentence that has a meaning

but when a work brings many problems
and won’t be solved, I put it aside

in a level that’s not finished,
I know I’m lying to myself and it’s not finished

I’m not satisfied with it
but…

I put it aside cause it takes too much energy

It makes me feel bad,
it gets on my nerve

Sometimes I wonder i did what I’ve done

Is it my work?
What state was I in?

what was I thinking?

or what did I use?
which things did I combine together?

Some times i forget

It’s such an impulse
that sometimes I forget

In many occasions I can’t repeat a work,
can’t create a texture again

If you want to conyinue,
you can go on for ever on a work

I mean again and again
you can clean, take and put stuff on it

but in a time you
should hit the brakes

feelings.
Can’t say it’s feeling either…

I understand somehow
that it’s done

Everything that I knew had happened

It’s possible that. you or another person
looks at it and thinks it’s unfinished

but it’s the person’s feeling
not mine

When you look at my works
since many years ago

there has always been some objects in them

and there has always been. a combination
of naterials in them too

The chicken fences has gave
volume to the works

and to be used as a cover on the painting

it create two layers for the viewer

in fact the thing that has been created
as an artwork and painting

it has some rules appliued to it,
some aesthetic rules

many textures inside it

my energy, my thought,
my soul

whatever that’s been interesting
to me is now behind the fence

you won’t be able to see it clearly anymore

and as the fence has a distance to painting

it’s shadow falls on the painting

you both lost the clarity,
there’s a scratch

and it’s put behind a layer

you are forced to see everything through it

you won’t be able to touch the painting

you won’t be able to connect to it immediately

and the fence is put in the first layer

between you and the painting

I think because the painting is
a good thing itself, as a result…

any painting is a good painting

you shouldn’t say “bad painting”

because painting itself is a good act

as a result the outcome is good as well

but we can say if it’s been successful
to interpret what’s inside to outside

if it has succeeded,
then you can use the words, good, successful or complete

otherwise you can’t call it a bad painting again

It like the frame that I hold
and see the world through it

is a bit small, large or
even I don’t understand it

otherwise I can’t say it’s a bad work,
I can say that it doesn’t communicate with me

I started cooperating with Gardoon magazine
from 1990

Then with Abbas Maroufi,
to whom I was introduced by Mr. Sepanlou

he launched the magazine
and was looking for someone to write in visual arts part

They printed a few of my poems too

I was working with Adineh
and Donyaye Sokhan occasionally

After Gardoun,
I worked with Zanan magazine

Mrs. Shahla Sherkat invited
me for cooperation

but I never went to the office
and just sent the written papers

While working there, Mr. Ali Dehbashi
contacted me to work in Tavous magazine

I started my work with Mrs. Manizhe Mir Emadi

I think working in Tavous
was the climax of my press work

I was a great experience,
I made many good contacts

We worked on a vast collection
with Tavous

which was about youth art

visual arts section was done with me

painting, graphic, sculpture and new art

there was cinema, theatre and photography
that was done by other colleagues

Unfortunately Tavous couldn’t continue working

but all of these are archived
and still exists

They might be printed later
but they are typeset, translated and ready

After Tavous that I said provided
many connection for me

One of the good connections that I made
was with Mr. Kamran Diba

with whom we worked on
his book and his works in Paris

its oucome a great article
that is printed in the book, “A Garden Between Two Streets”

Occasionally I have cooperated with
Tandis, just an interview or an articla

but not officially…

It’s like that after Tavous magazine,
for me…

It’s not finished but…

I think it was the peak of my work

Part 05


Whenever a scientific achievement
presented, painting has used it

Just like what happened
with photography

When photography was introduced
to the world of art in 18th century

painting didn’t stop
and continued its own way

of course that achievement was used later

Now is the same too,
with computers and digital photography

each does its own job

Neither do they bother each other

but they can help each other
to be more strong

Artists can use whatever media
that they want

I saw a picture of an artwork
in Venice biennale this year

which I think was from Russia

an old rotten boat that doesn’t work
anymore was in the salon

and a lot of red threads were hanging from
the ceiling and at the end of each was a rusty key

this work really impressed me

specially the size of the work
compared to people

It was really impressive,
big installment against small people

a large volume of red threads and keys

i think the way of expression of this work
is very different than painting

like you can never compare
music to painting

even an abstract piece of music

can’t be compared to an abstract painting

the way they enter into human mind
is different

They use different channels
and they have different impressions

I can connect with conceptual art

with installation

but some people don’t

I don’t see myself as
a one dimensional artist

I’m a multi dimensional artist,
not just a painter

I create.
The most important thing for an artist…

that enters this field is to have…

Imagination.
To be able to imagine and to find…

signs and metaphors to express
the imaginations in the best way possible

and induces the concept

In conceptual art we have a three
or sometimes four dimensional space

We can use music, sound, light

we can use any media

The way the artist thinks
should be multi. dimensional

otherwise with efforts
they can achieve just a little

by studying, taking courses and watching

but the multi dimentional thinking
should exist in their mind

to be able to imagine the space

and to be able to induce their
thought and message with that space

Some people can do this
and others can’t

I don’t know the formula

I think there has to be something
inside that paerson

to be able to execute
a multi dimensional art

My work’s been serious for me,
I’ve loved it

I had no money
but didn’t do anything else

I did my job

I was secluded but
didn’t do anything else

I was sad but
didn’t do anything else

I was happy but
didn’t do anything else

No that I couldn’t,
I’ve had many abilities and still have

but I chose my work

This is success

I think comparing us with
the west world is not right

We should compare our conditions
to ourselves

because a lot of our things
are completely different than theirs

Therefor this comparison is wrong

but…

Comparing ourselves with ourselves…
to see where we stand

Cause I beleive that the history
is circular

life is circular,
It’s a circle

We are still experiencing what…

we had experienced in Kandriz hall before

meaning we are still in the transition period

There has been a pause in between

for a few years

we had a blackout

as a resault we’d inevitably have a roll back

to reach some points that
has been forsaken before

start from there again

Not to start the sanctuary again,
what I mean is…

there’s been a drop that should be recovered first

The movements that’s been put to motion

are going with high speed
and are increasing in number

These are efforts to compensate
for the lost years and to be able to…

and to reach where we are
supposed to be

If I’m participating in
group exhibitions

It’s because I see myself
with others

In some way I see my place
beside them

to see where my place is.

In individual exhibitions I can evaluate
myself from outside

I have arranged the outcome of
a certain period and evaluate them

The most important thing that
happens in an individual exhibition is…

the feedback that I get from
others

from viewers

a spectrum of people with
different opinions and comments

When there’s a mutual feeling it means
that the dialogue has taken place

I’ve been understood

It’s pleasant for me

When I’m not understood

obviously is not pleasant for me
but I don’t stop it

anyway some can connect and others can’t

I don’t really like criticism

I mean, I take a stand against it at first

maybe later when I think about it,
I consider it as a good point but…

what happens at that moment is…

that I show my claws very soon

to defend myself

No…

It’s my scope of authority and
you can’t enter

otherwise I’d show you my claws

but maybe later I see their good point

They say that people’s name…

are not meaningless

Every chosen name…

would leave it’s my in a way
on that person

and how good it’d be if
the named is connected to the person in some way

My name is Farah,
It means happiness

I should have a sign
related to this name at least

I totally prefer to be happy

I totally like to live my
life happily

I. don’t welcome sadness at all

Sometimes a person could be sad
and the sadness feels warm

and brings a pleasure with it

but to want to…

deliberately make it a part of myselt,
never

I don’t welcome it

but if it happens,
it’s happened, I’d stay with it till it passes

A thing that bothers me a lot…

to be truthful…

people outside bother me a lot

to see how bad their relations are

how low we came

I don’t want to call
it our culture

To live with each other with…

no kindness, with hate and anger

make each other no favor

not tolerating each other

There’s an impoliteness in
our social relationships

from a taxi driver to
a doctor that visits us

They hold no value…

for each other

It’s a pervasive stress

You know, for example…

There’s no way a driver lets
a pedestrian to pass

A driver won’t let
another driver to turn

A shop seller won’t wait
for you to get out your money

It really bothers me,
Some times I feel lost

Some days I feel lost
in my own city

I feel like a stranger

but It passes