Ali Nedaei

Ali Nedaei

12 Videos
Biography

Ali Nedaei is an Iranian painter and designer, born on July 1, 1957, in Abadan. He began his professional artistic career in the early 1980s while studying at the Faculty of Arts and later received his Master’s degree in Painting from the University of Arts in Tehran.

Over more than four decades of artistic practice, Nedaei has become recognized as a contemporary Iranian figurative painter whose works explore mythology, human and animal figures, and historical narratives. His paintings are distinguished by dynamic lines, expressive compositions, and a strong emphasis on drawing as the foundation of visual expression.

Nedaei’s artistic language is deeply connected to Persian mythology, particularly narratives from the Shahnameh. He reinterprets mythical characters and historical symbols, transforming traditional stories into contemporary visual expressions.

Education

  • Bachelor of Painting, University of Arts, Tehran
  • Master of Painting, University of Arts, Tehran

During his artistic education, Nedaei studied under influential Iranian artists including Mohammad Ebrahim Jafari and Mohammad Hossein Halimi, whose approaches to drawing and painting influenced his artistic development.

Activities & Works

For more than twenty years, Ali Nedaei has taught drawing and painting at Iranian universities and has contributed to the education of younger generations of artists.

His artistic practice focuses on:

  • Figurative painting and expressive drawing
  • Human and animal representations
  • Mythological narratives and Persian cultural symbols
  • Contemporary interpretations of classical myths
  • Dynamic compositions based on strong line work

Nedaei’s works often incorporate figures such as horses and lions, alongside mythical characters drawn from Persian literature and history. He views mythology as a living narrative connected to contemporary experiences and uses it as a means to reflect on human conditions and social realities.

He was a student of Mohammad Ebrahim Jafari and Mohammad Hossein Halimi and maintained close artistic relationships with figures such as Ahmad Vakili, Ali Zakeri, and Karim Nasr. He was also a member of the Iranian art group “+30,” founded after the Revolution by Alireza Sami Azar and Shahnaz Zehtab.

Selected Solo Exhibitions

  • 2024 — War: The Beginning of an End, Khat-e Sefid Gallery, Tehran
  • 2022 — Hunting, Sales Gallery (Galerie Sales/Thales), Tehran
  • 2018 — Myth in the Mist, Atbin Gallery, Tehran
  • 2018 — Silent Myths, Kama Gallery, London
  • 2015 — Atbin Gallery, Tehran
  • 2014 — Pera Gallery, Istanbul, Turkey
  • 2011 — Forouhar Gallery, Tehran
  • 2009 — Mah Mehr Gallery, Tehran
  • 2006 — Elaheh Gallery, Tehran

Selected Group Exhibitions

  • 2025 — Iris Contemporary Space, Dubai
  • 2025 — Hunters of Simorgh, Atbin Gallery, Tehran
  • 2025 — Thought | Matter | Field, Shar Gallery, Tehran
  • 2025 — Face to Face, Kama Gallery, Tehran
  • 2023 — The Human Body, Vista Gallery, Tehran
  • 2023 — Treasury 3, Liam Gallery, Tehran
  • 2023 — Anthropomorphic Forms, Maryam Gallery, Kashan
  • 2021 — Archive 2, Artibition Gallery, Tehran
  • 2019 — A Review of Figurative Modernist Painting in Iran, Eideh Gallery, Tehran
  • 2018 — Iranian Artworks, Saint Roch Gallery, Paris
  • 2004 — +30 Art Group Exhibition, Armenia

Art Fairs

  • 2025 — MEN Art Fair, Paris (presented by Iris Contemporary Space)

Achievements & Awards

  • More than four decades of professional activity in contemporary Iranian painting
  • Extensive participation in national and international exhibitions
  • Representation in international art events and art fairs, including MEN Art Fair Paris
  • More than two decades of experience as a university instructor in painting and drawing
  • Membership in the influential “+30” art group
  • Participation in Iran’s contemporary art market; his first appearance in auctions dates back to Tehran Auction 2015
  • Recognition as one of the artists contributing to the development of contemporary Iranian figurative painting and myth-based visual language
Video Index

Chapters:

  1. From Childhood to University Entrance

  2. University Years and the Beginning of an Artistic and Teaching Career

  3. Personal Life

  4. Professional Periods

  5. Professional Experiences and Working Methods — Part One

  • 00:10 How Do You Select Your Subjects?

  • 02:02 What Do the Human Figure and Myth Represent in Your Work?

  • 15:44 To What Extent Are Iranian Culture and Traditions Present in Your Work?

  • 18:31 The Process of Creating an Artwork

  • 30:58 Do Your Subjects Usually Originate in the External World or in Your Inner World?

  • 36:12 Have You Ever Become Uncertain About How to Continue an Artwork While Creating It?

  1. Professional Experiences and Working Methods — Part Two

  • 00:26 What Is the Best Advice You Have Received as an Artist?

  • 02:42 The Materials Used in Creating Your Works

  • 07:35 What Project Are You Currently Working On?

  • 08:58 On Titling Artworks

  • 10:11 Apart from Teaching and Painting, How Do You Spend Your Days?

  • 11:49 What Exactly Does Painting Mean to You, and What Place Does It Hold in Your Life?

  • 25:31 How Do You Balance the World of Imagination with the World of Reality?

  1. Professional Experiences and Working Methods — Part Three

  • 00:08 Which Artist or Artistic Style Has Influenced You Most?

  • 04:30 Which Artwork by Another Artist Do You Admire Most?

  • 06:12 What Has Been Your Greatest Struggle as an Artist?

  • 08:39 What Do You Consider the Main Key to Your Success?

  • 11:59 What Is Your Daily Routine?

  • 13:20 How Do You Envision the Future of Your Artistic Practice?

  • 16:30 On Exhibitions

  1. Audience and Criticism

  • 00:08 What Place Does the Audience Hold in Your Artistic Practice?

  • 03:06 Responding to Negative Criticism

  • 06:32 On Art Criticism in the Visual Arts

  1. Art Education

  • 00:08 Differences Between Past and Present Approaches to Teaching Drawing and Painting

  • 07:16 The Importance of Drawing in Art Education

  • 10:03 Differences Between Painting Students of the Past and Present

  1. On the Visual Arts — Part One

  • 00:08 Differences Among the Three Most Recent Generations of Iranian Painters

  • 05:48 On the Iranian Painters’ Association

  • 08:34 Why Has No Distinct and Widespread Style Emerged in Contemporary Iranian Painting?

  • 12:42 The Relationship Between Imagination and Creativity in Artistic Creation

  • 19:28 What Qualities Make an Artwork Enduring?

  • 23:00 Traditional Art and Modern Art

  1. On the Visual Arts — Part Two

  • 00:08 On New Artistic Forms Such as Performance Art

  • 03:37 The Impact of Modernism and Globalization on National Art

  • 07:50 The Place of Iranian Art in the World

  • 15:49 On the Tehran Auction

  • 24:40 Do You Believe Artists Have a Social Role?

  1. Personal Worldview

  • 00:11 What Surprises You Most About the World Today?

  • 02:29 How Would You Describe Yourself?

  • 03:57 Hopes and Disappointments

  • 05:59 If Ali Nedaei Were Sitting Across from You, What Would You Ask Him?

  • 06:30 Advice for Art Students

Personal Information
  • Birthday: July 1, 1957
  • Birthplace: Abadan, Khuzestan, Iran
  • Interview date: 20.02.2016- 21.02.2016

Painter

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