Hormoz Hedayat
Hormoz Hedayat
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Biography
Hormoz Hedayat is an Iranian actor, theatre director, writer, designer, and educator, born on 1 July 1945 (10 Tir 1324) in Isfahan, Iran. His professional involvement in the performing arts began in the mid-1960s and has encompassed theatre, television, and cinema.
In 1966, Hedayat co-founded the Pouya Theatre Group, and in 1967 made one of his earliest professional stage appearances in Shah Abbas and the Old Cobbler, working alongside leading figures such as Ali Nassirian and Ezzatollah Entezami.
A major turning point in his early career came with his 1971 production of Jean-Paul Sartre’s The Respectful Prostitute, which he directed at the Faculty of Fine Arts, University of Tehran, with a cast that included Susan Taslimi. The production attracted considerable attention and helped establish Hedayat as a promising theatre director.
Education
Hedayat entered the Faculty of Fine Arts at the University of Tehran in 1969 and graduated in 1973. During his university years, he studied with prominent Iranian artists and academics including Hamid Samandarian, Parviz Mamnoon, Morteza Momayez, and Hormoz Farhat.
He subsequently continued his studies at Cardiff University in the United Kingdom, where he was also involved in theatrical productions. Hedayat holds a First-Class Certificate in Directing from Iran’s Artistic Evaluation Center, described in his English biographical information as an Equivalent PhD in Directing.
Activities and Works
Hedayat’s theatrical career encompasses acting, directing, writing, and stage design. As an actor, he appeared in productions including The Inspector General, Decline, The Braggart Soldier, Tanbur Navaz, and Kaboudan and Esfandiar.
His directing credits include The Respectful Prostitute, Eye for an Eye, The Soldiers, The Matchmaker, Mrs Warren’s Profession, That Time Will Come, The Fairy Garden Teahouse, and Haft Kerdar (Seven Deeds). The latter, written and directed by Hedayat and staged at the main hall of Tehran’s City Theatre in 2001, was among his major later stage productions.
Hedayat also developed an extensive career in Iranian television as an actor, writer, designer, and director. His television work includes Shahr-e Karestan, Zang-e Bidari, Stories of the Golden Box, Under the Blue Dome, Panchari, A Leaf from Life, and The Twins. He also provided the voice of Hapookomar in the celebrated children’s puppet series Khuneh-ye Madarbozorgeh (Grandmother’s House).
As a television actor, he appeared in productions such as Forbidden Fruit, A Fistful of Eagle Feathers, Searching in the City, and Shab Cheragh, as well as numerous television plays. His film appearances include Crossing the Dust directed by Pouran Derakhshandeh, The Statue directed by Ebrahim Vahid-Zadeh, Travellers directed by Bahram Beyzaie, and The Invisible Man directed by Ferial Behzad.
Achievements and Awards
Over several decades, Hormoz Hedayat has worked across the three principal domains of Iranian dramatic arts: theatre, television, and cinema. His career is distinguished by the breadth of his practice, encompassing acting, directing, writing, design, teaching, and adjudication.
His university production of The Respectful Prostitute became one of the formative successes of his career and was later described by Hedayat himself as a significant professional turning point. He has also received a First-Class Directing Certificate through Iran’s artistic evaluation system, regarded in his biographical materials as equivalent to a doctorate-level qualification in directing. The provided sources do not identify any other specific competitive awards.
Video Index
Chapters:
Childhood and Adolescence
Work at the Theatre Department and University Years
Further Studies in the United Kingdom and the United States
Return to Iran and Continuation of a Professional Career
Family Life
What Project Are You Currently Working On?
Teaching Activities
Selected Works — Theatre
Selected Works — Film and Television
Professional Experiences and Working Methods — Part One
00:01 Who Has Influenced You the Most?
07:06 The Evolution of Your Views Over Time
15:59 The Most Important Day of Your Life and the Impact of Your Profession on Your Lifestyle
19:05 Relationship with Other Art Forms
23:28 If You Had Not Pursued Theatre, What Profession Would You Have Chosen?
25:24 To What Extent Is Iranian Culture Reflected in Your Work?
29:17 The Role of Analysis and Research in the Creative Process
30:46 Memories of Performances
38:52 On Your Personal Website
Professional Experiences and Working Methods — Part Two
00:01 What Does Artistic Practice Mean to You, and What Has It Given You?
01:27 The Interaction Between the Worlds of Imagination and Reality
08:01 The Worlds of Acting and Directing
10:23 Is There a Work You Wish You Had Created?
19:03 What Is Your Daily Routine?
20:10 What Have You and Theatre Given to One Another?
22:14 Why Have You Distanced Yourself from Television, Theatre, and Cinema?
28:27 On the Pouya Theatre Group
Theatre, Cinema, Television, and the Arts
00:02 Differences Among the Three Most Recent Generations in Iranian Theatre
06:54 What Makes a Theatrical Work Enduring?
10:54 The State of Iranian Theatre and Iranians’ Visual Taste Over the Past Decade, and Prospects for the Future
21:25 On the Social Role of the Artist
23:51 On New Artistic Forms Such as Performance Art
28:07 The Quality of Theatrical Works Before and After the Revolution
Audience and Criticism
00:02 The State of Theatre Criticism
Identity and Modernity
00:02 The Relationship Between National Identity and Modernism
The World Today and Tomorrow
00:02 The Course of Human Life in the Age of the Internet and Social Media
Personal Worldview
00:00 What Surprises You Most About the World Today?
01:44 How Would You Describe Yourself?
02:53 Your Greatest Aspiration, Hopes, and Disappointments
04:40 If You Were Sitting Across from Yourself, What Would You Ask?
Personal Information
- Birthday: 1 July 1945
- Birthplace: Isfahan, Isfahan, Iran
- Interview date: 08.04.2017- 09.04.2017
Actor, theatre director, writer, designer, and educator
