Abdol Majid Taleqani

Abdol Majid Taleqani[a] (Persianعبدالمجید طالقانیc. 1737/8–1771/2) was an eminent Iranian calligrapher of the 18th century. He was the most celebrated 18th-century calligrapher of the Shekasteh form of Nastaliq, and is also credited with turning the Shekasteh script into its definitive form… more

Title: Page of Calligraphy from the Kulliyat of Sa’di

Calligrapher: Abd al-Majid Taleqani (Iranian, Taleqan 1737–71 Isfahan)

Date: 18th century

Geography: Attributed to Iranmore

The shikasta or “broken script,” developed in the seventeenth century, reached its peak in the eighteenth and nineteenth century. This script had little currency outside the borders of Iran and was created to fill a need for quick and efficient yet beautiful writing that would be used primarily for private correspondence and administrative documents. In shikasta horizontal regularity is not the norm; instead words fluidly rise and fall, emphasizing delicate grace and movement…. more

TEHRAN On the occasion of Cultural Heritage Week, the calligraphy works of Abdolmajid Taleqani, the renowned calligrapher of the Safavid dynasty, have been put on display in Tehran’s Reza Abbasi Museum. According to the Cultural Heritage Organization… more

Darvish Abdulmajid Taleghani (1150 AH Taleghan – 1185 AH Isfahan) Calligrapher,
He is a famous Iranian poet and mystic.
He was nicknamed “Majid” and is considered to be the greatest calligrapher of Nastaliq calligraphy in the history of Iranian calligraphy.
He brought the broken line of Nasta’liq to the base
Which no one has ever been able to reach.
He is the founder of the “Darwish School” in broken lin… more
In Iran, where several millennia of artistic activity have given birth to myriad examples of this intelligent and ingenious nation’s genius, writing has ever enjoyed a particular status. Writing is the oldest mean through which man’s spiritual and cultural acquisitions were transmitted from generation to generation. In the course of time, this art found applications in various domains, appearing as a decorative element on carved stone panels and monument facades, terra cotta vessels, wood, fabric….. more

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